Champaign

Champaign. What breaks was never a mistake — only part of the process.

Built up from Rügen chalk, applied in thick layers and left to crack before fully drying — every fissure part of the movement, not its opposite. Champagne and sandy tones meet burnt umber, running through the surface like dark veins, alongside accents of tin that lay down a quiet, matte light within the texture. The surface recalls broken stone — every hollow its own small place.

An original abstract painting from the Echoes phase, 60 x 60 cm, Rügen chalk, metallic tin and pigment on canvas — concentrated in format, with a density that only fully reveals itself up close.